A Timeslip story

Hiram Bingham did not discover Machu Picchu, and his own diary says so

He crossed the river on his hands and knees, climbed for an hour and twenty minutes, and was led the last stretch by a boy who lived on the ridge. The charcoal signature on the temple wall was already nine years old.

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A black and white photograph of an Inca stone wall with two large trapezoidal windows, built of huge close-fitted granite blocks. A tall upright monolith stands in front of it, and a young man in a dark military tunic and a flat-brimmed hat stands at the right among bamboo and scrub. Mist-covered mountains rise behind. The words YALE PERU. EXP. 1911 are printed along the bottom edge of the plate.
The Temple of the Three Windows, photographed on 24 July 1911, the afternoon Hiram Bingham first reached the ridge. The man is Sergeant Carrasco, the Peruvian gendarme attached to the expedition. Nine years earlier somebody else had written his name on this building in charcoal.Hiram Bingham IIIYale University Manuscripts & Archives Digital Images Database, via Wikimedia Commons (Public domain)

The ruins were not empty. Two families lived on the ridge, in a hut with a grass roof and a bench outside it, and they had been there four years. They had burned the forest off a few of the ancient stone terraces and planted maize, sweet potatoes, sugar cane, beans and peppers. They spoke Quechua and no Spanish. They had chosen the place, they said, because it had good terraces to farm and almost nobody ever came up.

The man who arrived out of the gorge on the afternoon of 24 July 1911 was thirty-five, a lecturer in South American history at Yale, and the director of an expedition sent to find the last capital of the Inca. The families gave him a gourd of cold water and a plate of cooked sweet potatoes. When he said he wanted to see the rest of the ruins, they sent one of the children to show him the way.

His name was Hiram Bingham, and he is the reason the rest of the world knows about Machu Picchu. He is not the man who found it. The clearest statement of that survives in his own handwriting, in the diary he wrote up the following evening, and he never printed a word of it.

Even the picture most people have in their heads is the wrong year: the clean, grassy, empty ruin on the postcards was photographed more than a year later, after Bingham came back and had the forest cut down.

How Hiram Bingham got up to Machu Picchu

The night before, a farmer working the neighbouring plot had mentioned that there were ruins on the ridge above the camp. Nobody made much of it. There were ruins all over that valley, and Bingham's own account, published eleven years afterwards, is refreshingly free of destiny: “No one supposed that they would be particularly interesting.”

The morning came in cold drizzle. The farmer, Melchor Arteaga, did not want to climb anywhere in that weather, and said so. Bingham offered him a sol — three or four times the ordinary daily wage in the valley — and Arteaga agreed.

They left camp at ten o'clock: Bingham, Arteaga, and Sergeant Carrasco, a Peruvian gendarme the government had attached to the expedition. Three quarters of an hour upstream, Arteaga turned off the road and went down through the jungle to the Urubamba, where a bridge crossed the rapids at their narrowest point. It was made of half a dozen slender logs, some of them too short to span the gap, spliced and lashed together with vines. Arteaga and Carrasco took off their shoes and walked over. Bingham got down on his hands and knees and crawled across six inches at a time.

Then an hour and twenty minutes of climbing, a good part of it on all fours, up a slope where somebody had propped rough tree-trunk ladders over the worst of the rock. It was hot, and Arteaga mentioned the snakes. Shortly after noon they reached the hut, where the two farmers — Richarte and Álvarez — fed them and sat them down in front of a view: green precipices dropping some fifteen hundred feet to the white water of the river, a granite cliff standing two thousand feet sheer on the far side, and, away to the left, the solitary sugarloaf of Huayna Picchu.

Through Carrasco, Bingham was told there were more ruins a little farther along the ridge. He was in no hurry. It was the kind of claim he had learned to discount.

A black and white photograph of a young man standing at the open flap of a canvas ridge tent. He wears a soft brimmed hat, a knitted waistcoat over a shirt, riding breeches, tall laced boots and puttees, one hand on his hip and the other holding the tent pole. Packing cases and a metal box stand on the ground beside him.
Bingham photographed at the expedition camp. He was thirty-five in 1911, a lecturer rather than an adventurer, and he went up the ridge with a folding bellows camera and a notebook.Ellwood C. ErdisIn the Wonderland of Peru (1913), via Wikimedia Commons (Public domain)

What Bingham walked into on 24 July 1911

Arteaga decided to stay behind and gossip, so the farmers sent a small boy along as a guide instead — by most accounts Richarte's eleven-year-old son, Pablito. The boy went first.

Round a slight promontory the ground changed. There was a flight of terraces two hundred yards long and ten feet high, cut into the mountainside, which the families had cleared that season: a stand of large trees chopped down and burned over to make room for maize. Bingham crossed the burnt ground, walked into the untouched forest beyond it, and, in his own words, “suddenly found myself in a maze of beautiful granite houses!”

They were smothered — “covered with trees and moss and the growth of centuries”, hidden in bamboo thickets and hanging vines — but under the moss the walls were white granite ashlar, cut and fitted with a precision he had never seen anywhere. The boy took him to a cave lined with the finest cut stone, and to a semicircular wall keyed to the curve of the boulder it stands on, which Bingham thought the work of a master artist. He was right. It is now called the Temple of the Sun.

He took photographs, made notes, and went back down. He had been on the ridge about five hours.

Why nobody outside the valley knew about Machu Picchu

A stone town fifty miles from Cusco went unrecorded for four centuries, which sounds impossible until you look at what the expedition's own cameras saw that year.

A black and white photograph of a steep forested ridge below a dark peak, with cloud-filled valleys falling away on either side. Stone buildings and terrace walls show faintly through dense vegetation along the crest and on the slope below it, almost lost in the scrub.
The ridge photographed on the day Bingham arrived, before any clearing. The buildings are there, under the canopy on the crest and to the right, and from any distance there is essentially nothing to see.H. L. TuckerIn the Wonderland of Peru (1913), via Wikimedia Commons (Public domain)

The buildings sit under canopy and the terraces read as contour lines in scrub. The ridge stands at 2,430 metres — high, but well below the cold country around Cusco, in a belt of cloud forest that closes over anything left alone. The site had no silver, no strategic value to the Spanish, and no population to convert.

The colonial administration was not wholly ignorant of the place. The name Picchu turns up in at least three sixteenth-century documents, and the archaeologist John Rowe used them to show that this stretch of the Urubamba had belonged to Pachacuti. Nobody thought it worth the climb.

Nor was Bingham the first outsider to hear the name. In 1875 the explorer Charles Wiener was told at Ollantaytambo about ruins at “Huaina-Picchu” and “Matcho-Picchu”. He could not get to them, but he marked them on a map published in Paris in 1880.

Who reached Machu Picchu before Hiram Bingham

Nine years earlier, on 14 July 1902, a farmer from near Cusco named Agustín Lizárraga came up the same ridge with three companions and wrote his name and the year in charcoal on a wall of the Temple of the Three Windows.

A tinted head and shoulders portrait photograph of a man with dark hair, a heavy moustache and level dark eyes, wearing a black bowler hat, a dark jacket, a white collar and a red tie, against a plain cream background.
Agustín Lizárraga, the only surviving portrait. He reached Machu Picchu on 14 July 1902 and left his name on the temple wall.UnknownWikimedia Commons (Public domain)

Bingham saw that inscription in 1911, and wrote down what he made of it in his diary the next day.

Agustín Lizárraga is the discoverer of Machu Picchu.

Hiram Bingham, diary entry, 25 July 1911

The sentence appears in nothing he published. In later years he had the charcoal cleaned off the wall, for preservation. Lizárraga himself drowned in the Urubamba on 11 February 1912, crossing a footbridge to his maize field; his body was never recovered.

So the honest description of 24 July 1911 is not that a lost city was found. Two families were farming its terraces, a boy who lived there walked in front the whole way, and another man's name was already on the temple. What Bingham did was arrive with a camera, a university behind him and a magazine willing to print him, and make a place that local people had never lost known to everybody else.

What Machu Picchu actually was

He was wrong about the ruins as well. He had come to Peru looking for Vilcabamba, the forest refuge where the last Inca rulers held out for forty years after the Spanish took Cusco in 1533, until the town fell in 1572 and Túpac Amaru was executed in the square at Cusco. Bingham decided Machu Picchu was Vilcabamba, and later that it was also Tampu Tocco, the legendary birthplace of the dynasty. It is neither. The real Vilcabamba was Espíritu Pampa, deeper in the forest — which Bingham reached himself in 1911 without recognising it, and which was identified only in 1964, by Gene Savoy.

What the place actually was is now reasonably clear: a royal estate, built around 1450 for Pachacuti, the ruler who turned a hill kingdom into the largest empire the Americas ever produced. A country house on an extraordinary scale, run by a permanent staff and visited by the court.

Two modern studies have sharpened that picture, using the bones Bingham's second expedition dug up. In 2021 a team led by the Yale archaeologist Richard Burger radiocarbon-dated 26 individuals from the cemeteries and put the occupation between about 1420 and 1530 — at least twenty years earlier than the Spanish chronicles allow, which drags Pachacuti's career backwards with it. In 2023 a genomic study of 34 burials found retainers drawn from all over the empire, and some from Amazonia: a household assembled from a continent.

How Machu Picchu became famous

Bingham came back in 1912 with money from Yale and the National Geographic Society, and had the site cleared.

A black and white photograph looking across the cleared ruins of Machu Picchu, with stone walls, plazas, staircases and terraces laid bare on the saddle of the ridge, and the steep sugarloaf peak of Huayna Picchu rising directly behind them.
The same ridge in 1912, after the expedition cut the forest off it. This is the view the world knows, and it is a year later than the afternoon Bingham first walked in.Hiram Bingham IIINational Geographic, April 1913, via Wikimedia Commons (Public domain)

In April 1913 National Geographic gave over its entire issue to the expedition — some 250 photographs and a fold-out panorama — and Machu Picchu became, more or less overnight, one of the best-known places on earth. Bingham wrote the popular books and went into politics, ending as lieutenant governor of Connecticut, governor for a single day, and a United States senator.

The thousands of objects and human remains his expeditions shipped to New Haven took longer to settle. Peru maintained for most of a century that they had been lent rather than given. After a federal lawsuit and a good deal of diplomacy, Yale and Peru agreed terms in November 2010, and the collection went home to Cusco through 2011 and 2012. It is on show at the Casa Concha, a few hundred metres from the square where the last Inca was executed.

Machu Picchu was inscribed on the UNESCO World Heritage list in 1983, as both a cultural and a natural site. More than a million people visit every year, arriving by train and bus at a ridge that in 1911 cost a sol, a log bridge and an hour and twenty minutes on all fours.

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Ash and Granite

25 August 2026

Hiram Bingham is led into the vine-covered ruins of Machu Picchu, high above the Urubamba in Peru, 1911.

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